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Instead, New Orleans jazz bands began incorporating a style known as "ragging"; this technique implemented the influence of ragtime 2/4 meter and eventually led to improvisation. In turn, the early jazz bands of New Orleans influenced the playing of the marching bands, who in turn began to improvise themselves more often.
Make It Funky! is a 2005 American documentary film directed, written and co-produced by Michael Murphy. Subtitled in the original version as "It all began in New Orleans", the film presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz. [1]
Wild Man Blues is a 1997 documentary film directed by Barbara Kopple, about the musical avocation of actor/director/comic Woody Allen.The film takes its name from a jazz composition by Jelly Roll Morton (with Louis Armstrong often credited as co-composer due to his influential arrangement), [1] recorded by Morton, Armstrong, and many others.
Originally named the Archive of New Orleans Jazz and later renamed the William Ransom Hogan Jazz Archive, [2] it is often simply referred to as the Hogan Jazz Archive. [3] As of 2001, the archive was the world's largest jazz archive, with oral histories of more than 500 musicians of the genre.
Live in New Orleans is the first DVD release by American jazz singer Norah Jones.The DVD release features Jones's concert at House of Blues, New Orleans as part of her Come Away with Me Tour, includes ten songs from her debut album Come Away with Me as well as the covers "Comes Love" and "Bessie Smith".
The song is now considered a jazz standard, along with several other Carmichael compositions such as "Stardust", "Georgia on My Mind" and "Lazy River". [ 1 ] The song was recorded by Bennie Moten 's Kansas City Orchestra and the Casa Loma Orchestra as an up-tempo number, but failed to achieve success until Carmichael released a slower version ...
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The Second Line (1950–present) is the official magazine of the New Orleans Jazz Club. Formed in April 1950, the magazine is dedicated to jazz musicians, teachers, and enthusiasts who have attempted to preserve New Orleans jazz music from commercialization. [1] Its name is a reference to the practice of the second line.
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