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The changes gave Marshall amplifiers a more aggressive voice, which quickly found favour with players such as Eric Clapton, who would sit in Jim's shop practising. Clapton asked Jim Marshall to produce a combo amplifier with tremolo, which would fit in the boot of his car, and one of the most famous Marshall amps was born, the "Bluesbreaker ...
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
In 1992, Guitar Player Magazine conducted a one-to-one test with a 1973 JMP Marshall 50-watt amplifier head, and found the two sounded “very close”. [11] From 1990-1991, a very limited run of THD 50-watt bass amplifiers was also produced. These bass amplifiers were dubbed the “Classic Bass Head”. [1]
A Univox U45-B tube combo amplifier from the mid-1960s. A Univox "B-Group" amp head from the early 1970s. Model: U-1011. A number of tube and solid-state amplifiers were produced by Univox over the years. These ranged from small practice combo amps to powerful heads with separate cabinets. Some models had built-in spring reverb and tremolo effects.
From 1960, Marshall owned a moderately successful music store in Hanwell, West London, selling drums and then branching out into guitars.His many guitar playing customers (including Ritchie Blackmore, Big Jim Sullivan and Pete Townshend) spoke of the need for a particular kind of amplifier, with Townshend wanting something "bigger and louder", and Marshall saw the opportunity, [2] [6] founding ...
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Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
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