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Sociomusicology (from Latin: socius, "companion"; from Old French musique; and the suffix -ology, "the study of", from Old Greek λόγος, lógos : "discourse"), also called music sociology or the sociology of music, refers to both an academic subfield of sociology that is concerned with music (often in combination with other arts), as well as a subfield of musicology that focuses on social ...
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. [1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel.
Blues musicians are musical artists who are primarily recognized as writing, performing, and recording blues music. [1] They come from different eras and include styles such as ragtime - vaudeville , Delta and country blues , and urban styles from Chicago and the West Coast . [ 2 ]
Country blues ran parallel to urban blues, which was popular in cities. [2] Historian Elijah Wald notes many similarities between blues, bluegrass, and country & western styles with roots in the American south. [3] Record labels in the 1920s and 1930s carefully segregated musicians and defined styles for racially targeted audiences. [4]
It is frequently used in jazz and the blues. [93] Bluegrass is a subgenre of American country music, born in Kentucky and the mountains of Appalachia. It has its roots in the traditional folk music of the Scottish, and Irish. [94] Blue can sometimes represent happiness and optimism in popular songs, [95] usually referring to blue skies. [96]
Live music and dancing was also a popular feature. Piano players and jazz bands were invited to provide live music for dancing. Dancing was a big part of the scene, often accompanied with contests and newly-invented dance moves. [6] Rent parties were very competitive, with up to twelve occurring on a single block within any given week.
[3] The community hosted a vibrant jazz and blues music scene, attracting musicians from across the country. [7] The community prominently shaped the development of jazz and blues and hosted some of the era's most pivotal musicians. Edward Murrow wrote in the Omaha World-Herald: "If you want to see sin, forget about Paris and go to Kansas City ...