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Fluxus 1, 1964.This copy in the Archiv Sohm, Staatsgalerie Stuttgart. Fluxus 1 is an artists' book edited and produced by the Lithuanian-American artist George Maciunas, containing works by a series of artists associated with Fluxus, the international collective of avant-garde artists primarily active in the 1960s and 1970s.
Maciunas' Fluxus Manifesto, copies of which were thrown into the audience at the Festum Fluxorum Fluxus, Düsseldorf, February 1963. His father, Alexander M. Maciunas, was a Lithuanian architect and engineer who had trained in Berlin, and his mother, Leokadija, was a Russian-born dancer from Tiflis affiliated with the Lithuanian National Opera [3] and, later, Aleksandr Kerensky's private ...
Fluxus Manifesto, 1963, by George Maciunas Poster to Festum Fluxorum Fluxus 1963. Fluxus was an international, interdisciplinary community of artists, composers, designers, and poets during the 1960s and 1970s who engaged in experimental art performances which emphasized the artistic process over the finished product.
Although it can be argued [1] that An Anthology is not strictly a Fluxus publication, its development and production were central events in the formation of Fluxus. It marked the first collaborative publication project between people who were to become part of Fluxus: Young (editor and co-publisher), Mac Low (co-publisher) and Maciunas (designer).
Something Else was an early publisher of Concrete poetry and other works by Fluxus artists throughout the 1960s. During the 1960s in New York City some of the artists who worked at the Something Else Press included Editor-in-Chief Emmett Williams, artist Alison Knowles, poet Larry Freifeld, [1] [2] [3] novelist Mary Flanagan, artist Ronnie Landfield, [4] [5] and publisher/founder Dick Higgins.
A collection of artworks made by artists associated with Fluxus, the international art movement started by George Maciunas in 1962. Pages in category "Fluxworks" The following 8 pages are in this category, out of 8 total.
Foreman mounted his first production with Ontological-Hysteric Theatre in 1968 at the Film-Maker's Cinematheque on Wooster Street, where he worked under the Fluxus leader George Maciunas. [14] Ontological-Hysteric Theatre balances a primitive and minimal art style with extremely complex and theatrical themes. [1]
The latter was reinterpreted at the Baltic Centre in Gateshead on 15 February 2009 in connection with the George Maciunas: The Dream of Fluxus exhibition. Pedersen ran the Art Library for most of his life, but he was a prolific writer and initiated many projects.