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Its use was also accepted by musician Clifton Chenier (who had earlier recorded "Zodico Stomp" in 1955) in his recording "Zydeco Sont Pas Salés". Chenier later claimed credit for having coined this spelling [5] Another possible root word for zydeco is a West African term for "musicking".
In mild contrast, zydeco dancing is a syncopated two-step or jitterbug. A Cajun dancer will cover the dance floor while the zydeco dancer will primarily dance in a smaller area. Cajun music can be found predominantly at Louisiana festivals and dance halls, in addition to weddings in Acadiana. Louisiana Cajun-Zydeco Festival, 2015.
The Cajun accordion is generally defined as a single-row diatonic accordion, as compared to multiple-row instruments commonly used in Irish, Italian, polka, and other styles of music. The Cajun accordion has four reed ranks , i.e., four reeds for each melody button, and each reed bank is controlled by a corresponding stop or knob on the top of ...
Zydeco (/ ˈ z aɪ d ɪ ˌ k oʊ / ZY-dih-koh or / ˈ z aɪ d i ˌ k oʊ / ZY-dee-koh, French: Zarico) as a dance style has its roots in a form of folk dance that corresponds to the heavily syncopated zydeco music, originated in the beginning of the 20th century among the Francophone Creole peoples of Acadiana (south-west Louisiana).
The term "Creole music" is used to describe both the early folk or roots music traditions of French and Metis rural Creoles of South Louisiana and the later more contemporary genre called zydeco. It was often simply called French music or La La. It was sung in French patois by Creoles. This early American roots music evolved in the 1930s into a ...
The term Creole music (French: musique créole) is used to refer to two distinct musical traditions: art songs adapted from 19th-century vernacular music; or the vernacular traditions of Louisiana Creole people which have persisted as 20th- and 21st-century la la and zydeco in addition to influencing Cajun music.
Chavis made his first recording in 1955, "Paper in My Shoe", based on a song he heard performed by Creole accordionist Ambrose "Potato" Sam. [5] Chavis's version was an uptempo tune with a dance beat about being too poor to afford new shoes or socks, so he placed a paper in his shoes to keep his feet warm when the holes in the sole got too large. [12]
Cajun music is often mentioned in tandem with the Creole-based, Cajun-influenced zydeco form, both of Acadiana origin. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials. It is an aural tradition ...