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  2. Jazz minor scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_minor_scale

    The jazz minor scale or ascending melodic minor scale is a derivative of the melodic minor scale, except only the ascending form of the scale is used. As the name implies, it is primarily used in jazz [ citation needed ] , although it may be found in other types of music as well.

  3. Jazz scale - Wikipedia

    en.wikipedia.org/wiki/Jazz_scale

    Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...

  4. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    The A melodic minor scale, ascending and descending, on A. ... Jazz scale; List of chord progressions ... A free Android app with scales & building chords for the scales;

  5. Minor scale - Wikipedia

    en.wikipedia.org/wiki/Minor_scale

    the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♮ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:

  6. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    Notably, all altered tones mentioned above, along with the 3 and ♭ 7, are present in the melodic minor scale whose root is a half-step above the root of the alt chord (i.e., E ♭ melodic minor for D 7alt). In other words, the altered scale is the seventh mode of the jazz minor scale. This scale is commonly used to improvise over an altered ...

  7. Chord-scale system - Wikipedia

    en.wikipedia.org/wiki/Chord-scale_system

    The corresponding scale for the C 7 ♯ 11 chord, with added ninth and thirteenth tensions, is C lydian dominant, the fourth mode of the ascending melodic minor. [ 7 ] Originating with George Russell 's Lydian Chromatic Concept of Tonal Organization (1959), [ 8 ] the chord-scale system is now the "most widely used method for teaching jazz ...

  8. Upper structure - Wikipedia

    en.wikipedia.org/wiki/Upper_structure

    US ♭ ii – e.g. D ♭ minor over C 7, resulting in C 7 ♭ 9 ♭ 13; US ♭ iii – e.g. E ♭ minor over C 7, resulting in C 7 ♯ 9 ♯ 11; The second item in the list above (C 7 ♭ 9 ♯ 11) has a related version called upper structure sharp four minor--with the written shorthand US ♯ iv--created with an F ♯ minor triad. (See ...

  9. Minor major seventh chord - Wikipedia

    en.wikipedia.org/wiki/Minor_major_seventh_chord

    Minor major seventh chord. A minor major seventh chord, or minor/major seventh chord (also known as the Hitchcock Chord) is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭ 3, 5, and 7). It can be viewed as a minor triad with an additional major seventh.

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