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Tamzara [a] is a folk dance native to Armenian Highlands. In Armenia the dance originally had a ritual character, it was a wedding song and dance. Now "Tamzara" has lost its former ritual significance, when it was performed during almost all community events and parties. It is today performed by Armenians, Assyrians, Azerbaijanis (in the ...
See media help. The cover of a 1953 record of "Sabre Dance" by the Indianapolis Symphony Orchestra [1] " Sabre Dance " [a] is a movement in the final act of Aram Khachaturian 's ballet Gayane (1942), where the dancers display their skill with sabres. [2] It is Khachaturian's best known and most recognizable work worldwide.
The Armenian dance ( Armenian: Հայկական պար) heritage has been considered the oldest and most varied in its respective region. From the fifth to the third millennia B.C., in the higher regions of Armenia, the land of Ararat, there are rock paintings of scenes of country dancing. These dances were most likely accompanied by certain ...
A part of Armenian kochari. Armenians have been dancing Kochari for over a thousand years. The dance is danced by both men and women and is intended to be intimidating. More modern forms of Kochari have added a "tremolo step", which involves shaking the whole body. It spread to the eastern part of Armenia after the Armenian genocide.
Harout Pamboukjian was born on July 1, 1950, in Yerevan, Armenia (then part of the Soviet Union ). In his early teens, he took lessons in many musical instruments including the guitar, the bouzouki and saz (stringed instruments), the dhol (drums) and the piano, later forming a band called Erebouni. His interest in music was initially influenced ...
Armenian Dances. Armenian Dances is a musical piece for concert band, written by Alfred Reed (1921–2005). It is a four-movement suite of which Part I comprises the first movement and Part II comprises the remaining three. The two parts comprise a full-length symphony. Each part consists of a number of Armenian folk songs from the collection ...
The music of Armenia (Armenian: հայկական երաժշտություն haykakan yerazhshtut’yun) has its origins in the Armenian highlands, dating back to the 3rd millennium BCE, [1] [2] and is a long-standing musical tradition that encompasses diverse secular and religious, or sacred, music (such as the sharakan Armenian chant and taghs, along with the indigenous khaz musical notation).
Yarkhushta belongs to a wider category of Armenian "clap dances" (ծափ-պարեր, tsap parer). The dance is performed by men, who face each other in pairs. The key element of the dance is a forward movement where participants rapidly approach one another and vigorously clap onto the palms of hands of dancers in the opposite row.