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Alberti bass is a kind of broken chord or arpeggiated accompaniment, where the notes of the chord are presented in the order lowest, highest, middle, highest. This pattern is then repeated several times throughout the music. [ 5 ] The broken chord pattern helps to create a smooth, sustained, flowing sound on the piano.
An arpeggio (Italian: [arˈpeddʒo]) is a type of broken chord in which the notes that compose a chord are individually sounded in a progressive rising or descending order. Arpeggios on keyboard instruments may be called rolled chords. Arpeggios may include all notes of a scale or a partial set of notes from a scale, but must contain notes of ...
The first movement is in 2/4 time and 193 measures in length. It opens with arpeggios, [6] and is elaborately figured with Alberti bass, scales, thirds, and ornamentation. It also makes use of broken triads, double notes, octaves, and trills. [7] The second movement is in D minor in 3/4 time, and is 52 measures long.
A double bass concerto is a notated musical composition, usually in three parts or movements (see concerto), for a solo double bass accompanied by an orchestra.Bass concertos typically require an advanced level of technique, as they often use very high-register passages, harmonics, challenging scale and arpeggio lines and difficult bowing techniques.
The classical guitar is a solo polyphonic instrument. Classical guitar techniques can be organized broadly into subsections for the right hand, the left hand, and miscellaneous techniques. In guitar, performance elements such as musical dynamics (loudness or softness) and tonal/ timbral variation are mostly determined by the hand that ...
The development plays around with the closing measures of the exposition before making the right hand play arpeggios as the bass line slowly descends chromatically. The theme of the closing octaves from the exposition comes back again in the bass, leading into a chromatic scale resolving in an F dominant seventh chord (dominant function of the ...
Figured bass is musical notation in which numerals and symbols appear above or below (or next to) a bass note. The numerals and symbols (often accidentals) indicate intervals, chords, and non-chord tones that a musician playing piano, harpsichord, organ, or lute (or other instruments capable of playing chords) should play in relation to the ...
Exercises 21 - 43: Labeled "further exercises for the development of a virtuoso technique." This more difficult section is meant to be played after the pianist has fully mastered Part 1. Part 2 includes scales and arpeggios. Exercises 44 - 60: Labeled "virtuoso exercises for mastering the greatest technical difficulties."
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