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Minecraft – Volume Beta is the fourth soundtrack album by German electronic musician Daniel Rosenfeld, known by his pseudonym C418.It was independently released on 9 November 2013 as the second installment of the soundtrack for the video game Minecraft, and has been physically released by record label Ghostly.
His discography comprises eight major studio albums, five Bandcamp exclusive studio albums, nine compilation albums, seven EPs, two mixtapes, 11 remixes, seven singles and three music videos. Rosenfeld has also completed a third volume of the Minecraft soundtrack, but citing licensing issues with Microsoft, the album has not been released.
In composing music for Minecraft, she felt "immense pressure" to deliver due to the "very highly acclaimed score" already in the game. [7] After submitting a demo, her goal with the "Nether Update" soundtrack was to see how far she "could push the sound of the piano until it resembled other things entirely."
"Higher" is a song by British electronic music group Clean Bandit, featuring vocals from Puerto Rican-American rapper, singer, and songwriter Iann Dior. It was released as a single on 29 January 2021 by Atlantic and Warner Music .
Minecraft – Volume Alpha is the first soundtrack album by the German electronic musician Daniel Rosenfeld, known by his pseudonym C418.Created for the 2011 video game Minecraft, it is the first of two albums to come from the game's soundtrack.
"Drive" is a song by British electronic music group Clean Bandit and German DJ Topic featuring English recording artist Wes Nelson. It was released on 30 July 2021, via Atlantic Records . [ 2 ]
"Stronger" is a song by the English electronic group Clean Bandit with uncredited vocals by Alex Newell and Sean Bass, the brother of Sharna Bass (who sings the vocals of Clean Bandit's song "Extraordinary"). [2] It was originally released on 22 November 2014, with uncredited vocals from Olly Alexander, the lead singer of Years & Years.
Radio edits may have more or fewer words edited than the "clean version", because of the stations' or agencies' standards. A "dirty" radio edit preserving the sound of the offensive word or words but maintaining the shorter play time may be produced, which may be aimed at club play, nighttime radio, and non-terrestrial radio stations.