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Woodturning, which has experienced exceptional growth and interest since AAW's founding, is a pursuit that goes back 4,000 years in human history – using craft's most organic material, wood, as its primary medium. Woodturners create utilitarian, artistic, and sculptural wooden objects on mechanical lathes.
Rough turning is an inexact science: turning wood too thick will lead to splits, and turning wood too thin will lead to distortion that cannot be removed because not enough thickness is left. Once dry, it is mounted on the lathe a second time and turned to its final form. Rough turning is typically used on most functional work and some art pieces.
Raffan was a part of the "art turning" movement that saw turned objects move into galleries where they are presented as works of art. [2] Although he has created large and valuable works of exotic woods, in his books he has also championed simple utilitarian works created for daily use.
Segmented turning, also known as polychromatic turning, is a form of woodturning on a lathe where the initial workpiece is composed of multiple parts glued together. The process involves gluing several pieces of wood to create patterns and visual effects in turned projects.
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Museum for Art in Wood is an American educational wood art institution located in Philadelphia, Pennsylvania.It was officially established as a nonprofit in 1986 by brothers Albert and Alan LeCoff, following a series of international symposium from 1976 to 1986 presented by the LeCoff's with woodturner Palmer Sharpless.
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Ed Moulthrop (May 22, 1916 – September 24, 2003) was a noted architect and professor, born in Rochester, New York. He is best known as a wood turning artist whose art helped transform the genre into a widely respected art form.
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