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A blackout curtain used in Auckland, New Zealand during World War II. Lights can simply be turned off or light can sometimes be minimized by tarring the windows of large public structures. In World War II, a dark blackout curtain was used to keep the light inside. Tarring the windows can mean a semi-permanent blackout status.
The process of manufacturing blackout was invented by Baltimore-based Rockland Industries, [2] and involves coating a fabric with layers of foam, or 'passes'. A '2-pass' blackout is produced by applying two passes of foam to a fabric – first, a black layer is applied to the fabric, then a white or light-colored layer is applied on top of the black.
There is also a form of drop used in Vaudeville days, which may still be seen in older theaters, called an olio. "Olio" means conglomeration, and these drops were most often roll-drops covered with advertisements from various sponsors, for the audience to view between shows. An olio drop is a similar curtain, but lowered at the front of the stage.
Curtain walls may be designed as "systems" integrating frame, wall panel, and weatherproofing materials. Steel frames have largely given way to aluminum extrusions. Glass is typically used for infill because it can reduce construction costs, provide an architecturally pleasing look, and allow natural light to penetrate deeper within the ...
An Austrian curtain. A front curtain, also known as a (front-of-)house curtain, act curtain, grand drape, main curtain or drape, proscenium curtain, or main rag [1] [2] [3] is the stage curtain or curtains at the very front of a theatrical stage, separating it from the house.
In theater and film, a cyclorama (abbreviated cyc in the U.S., Canada, and the UK) is a large curtain or wall, often concave, positioned at the back of the apse. It often encircles or partially encloses the stage to form a background. The world "cyclorama" stems from the Greek words "kyklos", meaning circle, and "orama", meaning view.
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