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A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound ...
Al Nelson (supervising sound editor/sound designer); James Mather, Bjørn Ole Schroeder (supervising sound editors); Benjamin A. Burtt, Scott Guitteau, Jed Loughran, Rowan Watson, Qianbaihui Yang (sound effects editor); Luke Dunn Gielmuda (supervising Foley editor); Dmitri Makarov, David Mackie (Foley editors); Jana Vance, Ronni Brown, John ...
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
Randy Thom (supervising sound editor/sound designer); Gwendolyn Yates Whittle (supervising sound editor); Christopher Scarabosio (supervising sound editor/sound designer/re-recording mixer); Stuart McCowan, Luke Dunn Gielmuda, Chuck Michael, Will Files, Shannon Mills, Al Nelson, Robert Shoup (sound editors); Sue Fox (Foley editor); Cheryl Nardi ...
Audiography ("writing sound") within Indian-style filmmaking, is the audio engineering performed by the sound department of a film or TV production; this includes sound recording, editing, mixing and sound design (formerly sound effects laying) but excludes musical composition, songwriting and choreography.
Walter Elliott (November 19, 1903 – August 10, 1984) [1] was an American sound editor who won Best Sound Editing at the 1963 Academy Awards making him the first person to ever win the award. He won it for his work in the 1963 Stanley Kramer film It's a Mad, Mad, Mad, Mad World .
Motion Picture Sound Editors (MPSE) is an American professional society of motion picture sound editors founded in 1953. [1] The society's goals are to educate others about and increase the recognition of the sound and music editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)