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Walter Scott Murch (born July 12, 1943) is an American film editor, director, writer and sound designer.His work includes THX 1138, Apocalypse Now, The Godfather I, II, and III, American Graffiti, The Conversation, Ghost and The English Patient, with three Academy Award wins (from nine nominations: six for picture editing and three for sound mixing).
Alan Robert Murray (July 30, 1954 – February 24, 2021) was an American sound editor. Murray was nominated for ten Academy Awards. In 2007, Murray won the Academy Award for Best Sound Editing for his work on Letters from Iwo Jima (2005). [1] In 2015, Murray won his second Academy Award for Best Sound Editing for his work on American Sniper ...
A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a television program, motion picture, video game, or any production involving recorded or synthetic sound. The sound editor works with the supervising sound editor. The supervising sound ...
Walter Elliott (November 19, 1903 – August 10, 1984) [1] was an American sound editor who won Best Sound Editing at the 1963 Academy Awards making him the first person to ever win the award. He won it for his work in the 1963 Stanley Kramer film It's a Mad, Mad, Mad, Mad World .
The sound film had four double-width optical soundtracks, three for left, center, and right audio—and a fourth as a control track with three recorded tones that controlled the playback volume of the three audio channels. Because of the complex equipment this system required, Disney exhibited the movie as a roadshow, and only in the United States.
Begging has been restricted or prohibited at various times and for various reasons, typically revolving around a desire to preserve public order or to induce people to work rather than to beg. Various European Poor Laws prohibited or regulated begging from the Renaissance to modern times, with varying levels of effectiveness and enforcement ...
James M. Falkinburg was born in California on September 25, 1932. He grew up in a show business family; his grandparents were stage actors and his father was Sam Nelson, a silent movie actor (The Circus Kid) who later became a film director (Mandrake the Magician; Sagebrush Law) and assistant director (The Lady from Shanghai; Some Like It Hot).
Jack Donovan Foley (April 12, 1891 – November 9, 1967) [2] was an American sound effects artist who was the developer of many sound effect techniques used in filmmaking.He is credited with developing a unique method for performing sound effects live and in synchrony with the picture during a film's post-production.