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A version reappeared in the late 1960s, called a braslip, [2] which featured a bra top and attached slip, to wear under short, shift dresses, and replace half slips. Often the bra top was an underwire style, and the entire garment was sized by the bra. From the 1970s the term teddy or teddie was adopted to refer to a similar style of undergarment.
In the 18th century, engageantes took the form of ruffles or flounces of linen, cotton, or lace, tacked to the elbow-length sleeves then fashionable. [1] In the mid-19th century, the term engageante was used for separate false sleeves, usually with fullness gathered tight at the wrist, worn under the open bell-shaped "pagoda" sleeves of day ...
Vest, long-sleeved jacket and overcoat: This is either made from a plain fabric, a velveteen fabric or a sequin covered fabric. Gown: This is usually the dazzling masterpiece of the outfit. Most commonly, Kurdish women wear a mesh fabric or a sheer fabric which is ornamented skillfully with many beads or sequins, or both.
Women's folk costume in this area is diverse and flamboyant. It consists of a wide embroidered shirt with ruffled sleeves, a skirt, a front and back apron, a fir and a libada decorated with shawl, knee-length socks embroidered with wool with geometric figures and a belt. The aprons are vividly embroidered, richly decorated with gold embroidery ...
The top buttons of her white blouse were open, and the sleeves poked out from under the jacket. Black, pointed heels complemented the ensemble. Melania donned a more modest dress for an August ...
The jukaniyya was a sleeved women's garment made of linen, brocade, or silk. It may have been named after the Persian town of Juwakan, or it may have been named after a game of polo, indicating the garment resembled a polo jacket, a short coat with narrow sleeves. [13] The makhtuna was a women's garment that may have occasionally been worn by men.
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