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The Abyss of Wonders is a science fiction novel by American writer Perley Poore Sheehan. It was first published in book form in 1953 by Polaris Press in an edition of 990 copies (though the actual book says 1500). It was the second and final book published by Polaris Press and included an introduction by P. Schuyler Miller.
This book permeated Christianity in the English-speaking world for 300 years after its first publication in 1678. In contrast, the Methodist publication The Interpreter's Bible states, "Abaddon, however, is an angel not of Satan but of God, performing his work of destruction at God's bidding", citing the context at Revelation chapter 20, verses ...
Grimscribe: His Lives and Works is a 1991 collection of short stories in the horror genre by American author Thomas Ligotti. [1] [2] The book was Ligotti's second short story collection to be published, following Songs of a Dead Dreamer.
The Abyss, by Orson Scott Card, a novelization of the 1989 James Cameron film; The Abyss (Yourcenar novel), a 1968 historical novel by Marguerite Yourcenar; Abyss (Weddle and Lang novel), a 2001 Star Trek novel
Into the Abyss may refer to: Into the Abyss, a 2012 non-fiction book by Carol Shaben; Into the Abyss, a 2011 documentary by Werner Herzog; Into the Abyss, a 2000 album by Hypocrisy "Into the Abyss" (song), a 1982 song by Sex Gang Children; Into the Abyss, an upcoming game based on season 2 of Guardians Evolution
The Abyss (French: L'Œuvre au noir) is a 1968 novel by the Belgian-French writer Marguerite Yourcenar.Its narrative centers on the life of Zeno, a physician, philosopher, scientist and alchemist born in Bruges during the Renaissance era.
Del also released a collection of short horror stories entitled The Language of Fear [2] in 1995 on Dell/Abyss Books and reissued a decade later. The collection features an introduction by Axl Rose and the short story "Without You", said to be the inspiration for the Guns N' Roses video " November Rain ".
In The Edge of the Abyss, Noyes ponders the future of the world, attacking totalitarianism, bureaucracy, the pervasive power of the state, and the collapse of moral standards. George Orwell reviewed the book for The Observer and, like The Last Man, it is considered a probable influence on Nineteen Eighty-Four. [45]
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