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An example: Dieterich Buxtehude's O dulcis Jesu (BuxWV 83) in full score using tablature Keyboard tablature is a form of musical notation for keyboard instruments.Widely used in some parts of Europe from the 15th century, it co-existed with, and was eventually replaced by modern staff notation in the 18th century.
Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition, [1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord.
The work is scored for a prepared piano and a chamber orchestra and was written using the gamut technique Cage developed in String Quartet in Four Parts (1950). Independently created sonorities (single notes, chords, aggregates) are arranged into rectangular charts; the music is composed by tracing geometric patterns on them. [21]
Music for Piano 3 (1953) Dedicated to Morton Feldman. Starting with this piece, all subsequent entries in the series are exactly one page long, and the number of notes and/or sounds is determined by the I Ching chance operations. In this and subsequent pieces dynamics and durations are free. Music for Piano 4–19 (for any number of pianos) (1953)
A prepared piano is a piano that has had its sounds temporarily altered by placing bolts, screws, mutes, rubber erasers, and/or other objects on or between the strings. Its invention is usually traced to John Cage's dance music for Bacchanale (1940), created for a performance in a Seattle venue that lacked sufficient space for a percussion ...
A lead sheet or fake sheet is a form of musical notation that specifies the essential elements of a popular song: the melody, lyrics and harmony. The melody is written in modern Western music notation , the lyric is written as text below the staff and the harmony is specified with chord symbols above the staff.
Engraving of the Thomaskirche in Leipzig in 1723, the year in which Bach was appointed there. He took up residence with his family in the Thomasschule on the left.. The music performed by the Society was of various kinds; hence we may assume that violin and clavier concertos by Bach were also performed, though more frequently, perhaps, at Bach's house ...
The tonalities of the six Partitas (B ♭ major, C minor, A minor, D major, G major, E minor) may seem to be random, but in fact they form a sequence of intervals going up and then down by increasing amounts: a second up (B ♭ to C), a third down (C to A), a fourth up (A to D), a fifth down (D to G), and finally a sixth up (G to E). [5]
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