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The Celtic deities are known from a variety of sources such as written Celtic mythology, ancient places of worship, statues, engravings, religious objects, as well as place and personal names. Celtic deities can belong to two categories: general and local.
The gods noticed that Fenrir was growing rapidly every day, and since all prophecies foretold that Fenrir was destined to cause them harm, the gods formed a plan. The gods prepared three fetters: The first, greatly strong, was called Leyding. They brought Leyding to Fenrir and suggested that the wolf try his strength with it.
Cernunnos on the Gundestrup cauldron (plate A). He sits cross-legged, wielding a torc in one hand and a ram-horned serpent in the other. Cernunnos is a Celtic god whose name is only clearly attested once, on the 1st-century CE Pillar of the Boatmen from Paris, where it is associated with an image of an aged, antlered figure with torcs around his horns.
The male wolf pulls down the wolf skin of the female, revealing an elderly human female underneath, to reassure the priest that he is not committing blasphemy. After the priest has given communion to the woman/she-wolf, the male wolf leads him out of the woods and gives him a number of prophesies about the future of Ireland and its English ...
The Celtic god Sucellus. Though the Celtic world at its height covered much of western and central Europe, it was not politically unified, nor was there any substantial central source of cultural influence or homogeneity; as a result, there was a great deal of variation in local practices of Celtic religion (although certain motifs, for example, the god Lugh, appear to have diffused throughout ...
The wolf as a mythological creature plays an important role in Balkan and Serbian mythology and cults. [34] [35] In the Slavic and old Serbian religion and mythology, the wolf was used as a totem. [36] In Serbian epic poetry, the wolf is a symbol of fearlessness. [37]
The Irish words for wolf are Mac Tíre ("son of the land"), Faoil and Cú Allaidh ("wild dog"), [4] and association with human transformation linger. Whilst some consider this to be imported, [5] there are many references in Irish mythology to lycanthropes and changing to other animal forms. [6] The last wolf in Ireland was killed near Mount ...
Epona, the Celtic goddess of horses and riding, lacked a direct Roman equivalent, and is therefore one of the most persistent distinctly Celtic deities.This image comes from Germany, about 200 AD Replica of the incomplete Pillar of the Boatmen, from Paris, with four deities, including the only depiction of Cernunnos to name him (left, 2nd from top)