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Satoru Gojo (Japanese: 五条 悟, Hepburn: Gojō Satoru) is a character from Gege Akutami's manga Jujutsu Kaisen.He was first introduced in Akutami's short series Tokyo Metropolitan Curse Technical School as the mentor of the cursed teenager Yuta Okkotsu at Tokyo Prefectural Jujutsu High School.
The nyah-nyah tune features a descending minor third. Play ⓘ "Nyah nyah nyah nyah nyah nyah" is the lexigraphic representation of a common children's chant.It is a rendering of one common vocalization for a six-note musical figure [note 1] that is usually associated with children and found in many European-derived cultures, and which is often used in taunting.
Sukuna is able to repel Yuta and cut him in half. After this, Yuta is barely alive and Rika is able to take him to Shoko's team, when he decides to go forward with his prior agreement with Gojo to use Kenjaku's technique and take over Gojo's corpse to fight Sukuna again, saving Yuji and Todo from the latter's Domain Expansion, by initiating Gojo's.
When Gojo is not present, Geto attacks and easily defeats Yuta and his friends. [18] However, Okkotsu, along with Rika who was now under his control, battles Geto. Geto uses his strongest technique, Maximum: Uzumaki (極ノ番「うずまき」, Gokunoban・Uzumaki), but is ultimately defeated. After losing his arm in the fight, Geto escapes ...
In music, call and response is a compositional technique, often a succession of two distinct phrases that works like a conversation in music. One musician offers a phrase, and a second player answers with a direct commentary or response. The phrases can be vocal, instrumental, or both. [1]
Eko Eko Azarak is the opening phrase from a Wiccan chant. It is also known as the "Witch's chant", the "Witch's rune", or the "Eko Eko chant". [1] The following form was used by Gerald Gardner, considered as the founder of Wicca as an organized, contemporary religion. The Eko Eko chant appeared in his 1949 occult novel, High Magic's Aid. In ...
Isorhythm (from the Greek for "the same rhythm") is a musical technique using a repeating rhythmic pattern, called a talea, in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores , which may be of the same or a different length from the talea .
The design of the Evangelion was conceived and edited by Anno and Ikuto Yamashita, the official mecha designer of the series. [25] The director took inspiration from the demons of Japanese folklore, the oni, and wanted to give them a modern look that differed from other mecha, such as the Gundams of the Mobile Suit Gundam series, giving them a more human-demonic nature than strictly robotic.