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Unlike some of the Doors tracks, "Five to One" was created in the studio. [3] According to music journalist Gillian G. Gaar, the song originated during a session when Morrison asked drummer John Densmore to lay down a 4/4 beat to which he inserted the lyrics. [4]
The Doors Collection is a music video compilation by the American rock band the Doors, released on Laserdisc and DVD in 1995 and 1999, respectively. It compiles three films previously released on VHS by MCA/Universal Home Video: Dance on Fire (1985), Live at the Hollywood Bowl (1987) and The Soft Parade – A Retrospective (1991).
In 2011, the Doors received a Grammy Award in Best Long Form Music Video for the film When You're Strange, directed by Tom DiCillo. [ 180 ] In 2012, Rolling Stone magazine's list of The 500 Greatest Albums of All Time included three of their studio albums; the self-titled album at number 42, L.A. Woman at number 362, and Strange Days at number 407.
The book The Doors, by the remaining Doors, quotes Morrison's close friend Frank Lisciandro as saying that too many people took a remark of Morrison's that he was interested in revolt, disorder, and chaos "to mean that he was an anarchist, a revolutionary, or, worse yet, a nihilist. Hardly anyone noticed that Jim was paraphrasing Rimbaud and ...
The Doors' third studio album Waiting for the Sun (1968), was commercially very successful, reaching No. 1 in the US and France, and produced their second No. 1 single, "Hello, I Love You". Waiting for the Sun was the first Doors album to chart in the United Kingdom, where it peaked inside the Top 20.
The DVD/Blu-Ray Disc of the concert includes This is the End a 18-minute film containing interviews with Doors' guitarist Robby Krieger, drummer John Densmore, concert director Murray Lerner, and original Doors manager Bill Siddons. A 2002 interview recorded with Ray Manzarek, the Doors keyboardist who died in 2013, is also included. [9]
In a retrospective review for AllMusic, Bruce Eder gave the album a rating of four and a half out of five stars.He noted: [1] In essence, this was the group's own musical story told the bandmembers' way, without regard to technical perfection or record label (or corporate, or middle-brow) sensibilities with regard to taste or mass appeal, a perfect sweep-away-all-the-bullsh*t audio account of ...
Legacy: The Absolute Best has received perfect ratings in scales from both The New Rolling Stone Album Guide, [2] and AllMusic. [1] The latter's critic, Stephen Thomas Erlewine, notes in his review: This [album] winds up giving a thorough overview of the band's peak, whether it's on the familiar hits or on strong album cuts ...