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The phrase was used by the Roman orator Cicero in four different speeches, [3] of which the earliest was his speech against Verres in 70 BC. The most famous instance, however, is in the second paragraph of his First Oration against Catiline , a speech made in 63 BC, when Cicero was consul (Roman head of state ), denouncing his political enemy ...
A funeral oration or epitaphios logos (Ancient Greek: ἐπιτάφιος λόγος) is a formal speech delivered on the ceremonial occasion of a funeral. Funerary customs comprise the practices used by a culture to remember the dead, from the funeral itself, to various monuments, prayers, and rituals undertaken in their honour.
In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the controversia, speeches of defense or prosecution in fictitious court cases, and the suasoria, in which the speaker advised a historical or legendary figure as to a course of action.
We can be reasonably sure that Pericles delivered a speech at the end of the first year of the war, but there is no consensus as to what degree Thucydides's record resembles Pericles's actual speech. [ b ] Another confusing factor is that Pericles is known to have delivered another funeral oration in BC 440 during the Samian War . [ 8 ]
In Orator, Cicero depicts several models for speakers.Cicero states to the Romans the importance of searching and discovering their own sense of rhetoric.. “I am sure, the magnificence of Plato did not deter Aristotle from writing, nor did Aristotle with all his marvelous breadth of knowledge put an end to the studies of others.” [4] Cicero encouraged the plebeians through his writing ...
The Catilinarian conspiracy was a plot by the patrician senator Lucius Sergius Catilina (known in English as Catiline) to overthrow the Roman republic. He started this plot in 63 BC after being repulsed at elections for consul for the third time; after failing to be elected to the consulships of 65, 63, and 62 BC. [6]
His language is simple and natural, never far-fetched or artificial. According to Jebb, Demosthenes was a true artist who could make his art obey him. [ 25 ] For his part, Aeschines stigmatised his intensity, attributing to his rival strings of absurd and incoherent images. [ 134 ]
The ten Attic orators were considered the greatest Greek orators and logographers of the classical era (5th–4th century BC). They are included in the "Canon of Ten", which probably originated in Alexandria. [1] A.E. Douglas has argued, however, that it was not until the second century AD that the canon took on the form that is recognised ...
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