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In Turkmen weavings, such as bags and rugs, guls are often repeated to form the basic pattern in the main field (excluding the border). [4] [5]The different Turkmen tribes such as Tekke, Salor, Ersari and Yomut traditionally wove a variety of guls, some of ancient design, but gul designs were often used by more than one tribe, and by non-Turkmens.
Woven rugs include both flat rugs (for example kilims) and pile rugs. [2] The more tightly a rug is woven or knotted, the more detailed a design can be. "It is generally believed that the density of knots, the age, the material, and the rarity of the design or knots determines the value of a carpet. ..." [This quote needs a citation]
The field of a rug may also be broken up into different rectangular, square, diamond or lozenge shaped compartments, which in turn can be arranged in rows, or diagonally. [ 34 ] In contrast to Anatolian rugs, the Persian carpet medallion represents the primary pattern, and the infinite repeat of the field appears subordinate, creating an ...
81 1/2 x 33 1/4 in $8.5 million (2021) [140] Private collection 1984 Big Snow: Acrylic and oilstick on canvas 66 1/4 x 60 1/8 in N/A Private collection 1985 Sam F: Oil paint on door 80 x 36 in N/A Dallas Museum of Art: 1985 Untitled: Acrylic and oilstick on wood, in three parts 85 1/2 x 108 1/2 in $37.2 million (2021) [141] Private collection ...
Evan M. Maurer, "Determining Quality in Native American Art" in The Arts of the North American Indian: Native Traditions in Evolution, ed. Paul Anbinder, New York: Philbrook Art Center, 1986. Marian E. Rodee, Old Navajo Rugs: Their Development from 1900 to 1940 , Albuquerque: University of New Mexico Press, 1983.
In 2001, a diamond-like-structured c-BC 2 N was synthesized at pressures >18 GPa and temperatures >2,200 K by a direct solid-state phase transition of graphite-like (BN) 0.48 C 0.52. The reported Vickers and Knoop hardnesses were intermediate between diamond and c-BN, making the new phase the second hardest known material. [ 39 ]
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