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Project Row Houses. Project Row Houses is a development in the Third Ward area of Houston, Texas. Project Row Houses includes a group of shotgun houses restored in the 1990s. [2] Eight houses serve as studios for visiting artists. [3] Those houses are art studios for art related to African-American themes. A row behind the art studio houses ...
A darkroom is used to process photographic film, make prints and carry out other associated tasks. It is a room that can be made completely dark to allow the processing of light -sensitive photographic materials, including film and photographic paper .
The Stahl House, Case Study House #22. The Case Study Houses were experiments in American residential architecture sponsored by Arts & Architecture magazine, which commissioned major architects of the day, including Richard Neutra, Raphael Soriano, Craig Ellwood, Charles and Ray Eames, Pierre Koenig, Eero Saarinen, A. Quincy Jones, Edward Killingsworth, Rodney Walker, and Ralph Rapson to ...
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning , and masking , which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
The Booth House is a single-story modernist house in Bedford, New York. Built in 1946, the house was American architect Philip Johnson 's first residential commission, [ 1 ] and is a stylistic precursor to Johnson's better-known 1949 Glass House in New Canaan, Connecticut .
It was a prototype as the physical platform for the mass production of housing. The name is a pun that combines an allusion to domus (Latin for house) [3] and the pieces of the game of dominoes, because the floor plan resembled the game and because the units could be aligned in a series like dominoes, to make row houses of different patterns.
Provisions of a cluster development require that the site is at least 2 to 5 acres (20,000 m 2) and there is no minimum to lot dimensions; furthermore each house can be no more than 12 feet (3.7 m) from the street with yard that is at least 25 feet (7.6 m). There also needs to be the ability to place more than one principal building on each lot ...
The house is considered an iconic representation of modern architecture in Los Angeles during the twentieth century. It was made famous by a Julius Shulman photograph showing two women leisurely sitting in a corner of the house with an evening panoramic view of the city through floor-to-ceiling glass walls.