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Brendan Kavanagh (born October 1967 [2] [3]), also known as "Dr K" due to his PhD in English, is a British pianist and piano teacher of Irish descent. He specializes in playing and promoting the boogie-woogie genre, almost exclusively improvised, often combined with classical, jazz , blues , rock & roll , and traditional Irish music themes.
Pages in category "17th century in music" The following 94 pages are in this category, out of 94 total. This list may not reflect recent changes. 0–9. 1601 in music;
Whereas the historicism of the Ancient Airs and Dances for Lute (1917–31) by Ottorino Respighi is readily apparent to the ear, since the composer drew directly on the works of 16th- and 17th-century composers, the historicism informing the Music of Changes (1951) by John Cage, based on the ancient Chinese I Ching, is deeply embedded in the ...
It was the 17th-century antiquarian Anthony Wood who first proposed that he was related to the Bull family of Peglich, Somerset, but in 1959 Dart wrote that Bull was probably the son of a London goldsmith…. [2] Then, in the second edition of his Calendar of the Life of John Bull, Dart proposed Hereford as a third possibility. [3]
Sacred concerto [1] (German: geistliches Konzert, [2] plural: geistliche Konzerte, lit. ' spiritual concerto (or: concert) ') is a 17th-century genre of sacred music, characterized as settings of religious texts requiring both vocal soloists and obbligato instrumental forces for performance.
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17th-century ballads (1 C, 4 P) H. 17th-century hymns (1 C, 17 P) Pages in category "17th-century songs" The following 61 pages are in this category, out of 61 total.
Fellowes' passion for mid-16th century – mid-17th century music led him to edit thirty-six volumes of madrigals, thirty-two volumes of lute songs, and twenty volumes of William Byrd's music. He was one of the editors of Tudor Church Music, ten volumes published by Oxford University Press in the 1920s with the support of the Carnegie UK Trust. [2]