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Noh (能, Nō, derived from the Sino-Japanese word for "skill" or "talent") is a major form of classical Japanese dance-drama that has been performed since the 14th century. It is the oldest major theater art that is still regularly performed today. [ 1 ]
This is a complete [1] list of extant pre-modern Noh plays, their supposed authors, and categorisations. A short English translation of the title is given where one exists. A list of those plays which have a separate article on Wikipedia can be found here.
Japanese modern drama in the early 20th century consisted of shingeki (experimental Western-style theatre), which employed naturalistic acting and contemporary themes in contrast to the stylized conventions of kabuki and Noh. Hōgetsu Shimamura and Kaoru Osanai were two figures influential in the development of shingeki.
Ataka, along with the two other mainstays of classic repertory of Noh - Izutsu and Atsumori - had a continuous performance tradition that spanned five to six centuries. [ 4 ] Kanze Nobumitsu was a playwright and actor from the Muromachi period , and is considered one of the last important playwrights of the golden age of Noh.
An English translation exists in the book Green Willow; and other Japanese fairy tales, with the name The Robe of Feathers. [10] A literary treatment of the play was given as The Fisherman and the Moon-Maiden in Japanese Fairy World (1880). [11] Another version exists with the name The Angel's Robe. [12]
When Noriko and Shukichi attend the Noh play, the work performed is called Kakitsubata or "The Water Iris." (The water iris in Japan is a plant which blooms, usually in marshland or other moist soil, in mid-to-late-spring.) [18] [57] In this play, a traveling monk arrives at a place called Yatsuhashi, famous for its water irises, when a woman ...
Aoi no Ue (能 葵上, Lady Aoi) is a Muromachi period Japanese Noh play based on the character Lady Aoi from the Heian period novel The Tale of Genji. It is an example of the fourth category of "miscellaneous" Noh plays. Aoi no Ue was the first of many Noh plays based on The Tale of Genji. [1]
Nōgaku (能楽) is one of the traditional styles of Japanese theater. It is composed of the lyric drama noh, and the comic theater kyōgen (狂言). Traditionally, both types of theatre are performed together, the kyōgen being interposed between the pieces of noh during a day of performances.