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Christ with the Eucharist and Saints Bartholomew and Roch; Christ with the Eucharist and Saints Cosmas and Damian; Christ's Appearance to Mary Magdalene after the Resurrection; Christ's Entry Into Brussels in 1889; The Conversion of Saint Paul (Murillo) The Conversion of Mary Magdalene; The Conversion of Saint Paul (Rubens, Berlin)
This early painting by Claude shows Joseph, Mary, and Jesus fleeing the massacre in Bethlehem. In a prefiguration of his future role, the infant Jesus holds the donkey's reins. Although the trio is escaping a slaughter, Claude depicted them in a serene setting.
The State Russian Museum holds a sketch of the same name for the painting Christ's Appearance to Mary Magdalene after the Resurrection (canvas, oil, 29 × 37 cm, circa 1833, Inventory No. Zh-3857), which was previously in the possession of Koritsky, assistant curator of the Imperial Hermitage Picture Gallery, and subsequently to the artist and ...
Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the " Madonna and Child " or "Virgin and Child". They are not usually representations of the Nativity specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary ...
Christ treading on the beasts is a subject found in Late Antique and Early Medieval art, though it is never common. It is a variant of the "Christ in Triumph" subject of the resurrected Christ , [ 2 ] and shows a standing Christ with his feet on animals, often holding a cross-staff which may have a spear-head at the bottom of its shaft, or a ...
The painting represents the allegorical victory of Christianity over Death (depicted as a skull) and Sin (depicted as a snake). It was formerly thought to have been painted around 1615, but more recent stylistic comparisons with similar Rubens works have indicated that it was more likely to have been painted slightly later, i.e. around 1618.
It depicts the Virgin Mary, surrounded by angels and crowned with the circle of stars. [1] She is shown trampling a snake, representing her victory over the devil. The lilies and the rose are references to hortus conclusus ("enclosed garden"), and symbolize Mary's love, virginity and purity. The painting is now in the Prado Museum, Madrid. [3 ...
Saints Dominic and Francis Saving the World from Christ's Anger; Self-Portrait with Halo and Snake; Serpent Cave; The Serpent Chooses Adam and Eve; Serpent labret with articulated tongue; Serpent symbolism; The Sin (Stuck) Snake (Nolan) The Snake Charmer; The Snake Charmer (Rousseau) Snakes (M. C. Escher) The Soul Breaking the Links Holding it ...