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Analog horror is a subgenre of horror fiction and an offshoot of the found footage film genre, [3] [4] [5] said to have originated online during the late 2000s and early 2010s with web series such as No Through Road, Local 58, Gemini Home Entertainment, and Marble Hornets.
The Monument Mythos is a YouTube horror webseries created by Alex Casanas and set in a paranormal alternate history of the world, depicting supposed horrific secrets behind major monuments and landmarks across America and beyond.
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Local 58 is a horror web series created by cartoonist Kris Straub.The series is a spin-off of Straub's Candle Cove creepypasta. [1] [2] Currently hosted on the YouTube channel LOCAL58TV, each video in the series is presented as footage of a fictional public access television channel located in Mason County, West Virginia named Local 58, with the call sign WCLV-TV, created in the late 1930s ...
Gemini Home Entertainment is a horror anthology web series created by Remy Abode and periodically released on a YouTube channel of the same name. It is regarded as a foundational analog horror series. The main series, also known as the Full Boxset, is ongoing. Further videos have also been released since as part of the spin-off series Library.
Animated example of what a glitched video can look like, by Michael Betancourt (Mae Murray in a screen test). Glitch art is an art movement centering around the practice of using digital or analog errors, more so glitches, for aesthetic purposes by either corrupting digital data or physically manipulating electronic devices.
The series coined the term analog horror and arguably kickstarted the popularity of the genre. [20] Some critics cite Straub and Local 58 as having solidified conventions which would go on to define the genre [ 21 ] and even indirectly influence feature-length horror films such as Skinamarink (2022).
Interpretation of Robertson's Fantasmagorie from F. Marion's L'Optique (1867). Phantasmagoria (American pronunciation ⓘ), alternatively fantasmagorie and/or fantasmagoria, was a form of horror theatre that (among other techniques) used one or more magic lanterns to project frightening images – such as skeletons, demons, and ghosts – typically using rear projection onto a semi-transparent ...