Search results
Results from the WOW.Com Content Network
A mandala, (Sanskrit: मण्डल, romanized: maṇḍala, lit. 'circle', [ˈmɐɳɖɐlɐ] ) is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and ...
[1] [2] Bindu is the point around which the mandala is created, representing the Universe. [3] Bindu is often merged with [seed] (or sperm) and ova. In the Yogachudamani Upanishad Bindu is a duality, with a white Bindu representing shukla (pure) and a red Bindu representing maharaj .
In Vajrayāna Buddhism, an empowerment or consecration (Sanskrit: abhiṣeka, lit. ablution; sprinkling) is an esoteric initiation or transmission of secret teachings performed by a tantric guru (vajracharya) to a student in a ritual space containing the mandala of a Buddhist deity. [1]
Bhavachakra, "wheel of life," [a] consists of the words bhava and chakra.. bhava (भव) means "being, worldly existence, becoming, birth, being, production, origin". [web 1]In Buddhism, bhava denotes the continuity of becoming (reincarnating) in one of the realms of existence, in the samsaric context of rebirth, life and the maturation arising therefrom. [2]
The Nāsadīya Sūkta (after the incipit ná ásat, or "not the non-existent"), also known as the Hymn of Creation, is the 129th hymn of the 10th mandala of the Rigveda (10:129). It is concerned with cosmology and the origin of the universe. [1] The Nāsadīya Sūkta has been the subject of extensive scholarly attention.
Mandala means sphere, and the text is known as Mandala-brahmana Upanishad because the Purusha in the sphere of the Sun (Narayana) gave this knowledge to Yagnavalakya. [ 3 ] [ 4 ] The Mandala-brahmana Upanishad ( IAST : Maṇḍalabrāhmaṇa Upaniṣad ) is listed at number 48 in the Telugu language anthology of 108 Upanishads of the Muktika ...
II-VI Three chapters on the mandala of the Body Mystery with detailed instruction on the laying out of the mandala and the abhiṣekha ritual. This mandala is also known as the Mandala of the Womb Realm (Sanskrit : Garbhakosha). VII-IX Three miscellaneous chapters originally at the end of the text. They are at the end in the Chinese version.
The subjects of the hymns cover a wider spectrum than in the other books, dedicated not only to deities or natural phenomena, including deities that are not prominent enough to receive their own hymns in the other books (Nirrti 10.59, Asamati 10.60, Ratri 10.127, Aranyani 10.146, Indrani 10.159), but also to objects like dice (10.34), herbs (10.97), press-stones (for Soma, 10.94, 175) and ...