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The Brahmanda Purana is one of the oldest Puranas, but estimates for the composition of its earliest core vary widely. [11] The early 20th-century Indian scholar V. R. Ramachandra Dikshitar dated this Purana to 4th-century BCE. [11] Most later scholarship places this text to be from centuries later, in the 4th- to 6th-century CE.
Adhyatma Ramayana represents the story of Rama in a spiritual context. The text constitutes over 35% of the chapters of Brahmanda Purana, often circulated as an independent text in the Vaishnavism tradition, [9] and is an Advaita Vedanta treatise of over 65 chapters and 4,500 verses.
This story, state Bonnefoy and Doniger, appears in Vayu Purana's chapter 1.55, Brahmanda Purana's chapter 1.26, Shiva Purana's Rudra Samhita's Sristi Khanda's chapter 15, Skanda Purana's chapters 1.3, 1.16, 3.1, and other Puranas. [89] The texts are in Sanskrit as well as regional languages, [4] [5] and almost entirely in narrative metric ...
The text says that "One can worship Lalita only if she wishes us to do so." This stotra occurs in the Brahmanda Purana (history of the universe) in the chapter of discussion between Hayagriva and Sage Agasthya in Kanchipuram. [3] Hayagriva is an incarnation of Vishnu with the head of a horse and is held to be the storehouse of knowledge.
The Brahma Purana dedicates a majority of its chapters to describing the geography, temples and scenes around the Godavari river and of Odisha. [6]The text is notable for dedicating over 60% of its chapters on description of geography and holy sites of Godavari River Region, as well as places in and around modern Odisha, and tributaries of Chambal River in Rajasthan.
The Lalita Sahasranama is a part of the larger scripture called the Brahmanda Purana, specifically in the Uttara Khanda (the concluding section) of the Purana. In this narrative, Bhandasura is depicted as a powerful demon who has obtained a boon from Shiva that makes him nearly invincible. With his newfound powers, Bhandasura wreaks havoc and ...
The Brahmavaivarta Purana, along with Bhagavata Purana, have influenced performance arts and cultural celebrations in India, such as with Rasa Lila in Manipur above.. This text is mostly legends, worship, mythology and drama during the life of Radha and Krishna, with discussion of ethics, dharma, four stages of life and festivals embedded as part of the plot.
This is a free re-telling of the Valmiki Ramayana. It was awarded the first Jnanpith award in Telugu, for which the poet was later acclaimed as Kavi Samrat. Assam – a) The Assamese Saptakanda Ramayana or Katha Ramayana in the 14th century written by Madhava Kandali. b) Giti-Ramayan or Durgabari-Ramayan in the 16th century written by Durgabar ...