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Terminator 2 used rear projection techniques, but because scenes were generally in motion, Bobby Gray developed a hanging rig with lights on a circular track that created a realistic movement of light. [12]
James Cameron also used rear projection for several special effects shots in Aliens (1986), including the crash of the dropship, as well as for several sequences in Terminator 2: Judgment Day (1991) such as the car escape from the mental hospital and the T-1000 hijacking the police helicopter; Cameron has been described as one of the few people ...
Terminator 2: Judgment Day [a] is a 1991 American science fiction action film directed by James Cameron, who co-wrote the script with William Wisher.Starring Arnold Schwarzenegger, Linda Hamilton, and Robert Patrick, it is the sequel to The Terminator (1984) and is the second installment in the Terminator franchise.
T2-3D: Battle Across Time (also known as Terminator 2: 3D) was an attraction at Universal Studios Florida, Universal Studios Hollywood and Universal Studios Japan. The version of the show in Hollywood had its final performance on December 31, 2012; the show then closed January 1, 2013. [ 3 ]
Terminator is an American media franchise created by James Cameron and Gale Anne Hurd.It is considered to be of the cyberpunk subgenre of science fiction. [4] [5] The franchise primarily focuses on a post-apocalyptic war between a synthetic intelligence known as Skynet, and a surviving resistance of humans led by John Connor.
The Library of Congress announced the 25 features joining the National Film Registry for 2023, with titles including “12 Years a Slave,” “Home Alone,” “The Nightmare Before Christmas ...
That Reacher Season 2 exchange, between henchman Saropian and boss man Shane Langston, hit the bull’s-eye with many a Terminator 2 film fan, seeing as Robert Patrick aka the T-1000 himself ...
James Michael Muro, Jr. (born October 12, 1964) is an American cinematographer and director. He is known primarily for his Steadicam work. In the late 1980s and 1990s, he was James Cameron's Steadicam operator of choice, working on the Cameron-directed films The Abyss, Terminator 2: Judgment Day, True Lies, and Titanic.