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"Another Op'nin', Another Show" is the opening number of Cole Porter's 1948 musical Kiss Me, Kate.. Sung by a band of players performing a musical adaption of Shakespeare's The Taming of the Shrew, the song has become regarded as a show business anthem on a level with "That's Entertainment!" (from The Band Wagon) and "There's No Business Like Show Business" (from Annie Get Your Gun).
Ready-to-wear clothing display of a U.S. Walmart department retailer in 2007. Ready-to-wear (RTW) – also called prêt-à-porter, or off-the-rack or off-the-peg in casual use – is the term for garments sold in finished condition in standardized sizes, as distinct from made-to-measure or bespoke clothing tailored to a particular person's frame.
"Always True to You in My Fashion" is a 1948 show tune by Cole Porter, written for the musical Kiss Me, Kate. [1] It is based on Non Sum Qualis Eram Bonae sub Regno Cynarae, a similarly ironic poem by the English Decadent poet Ernest Dowson (1867–1900), which has the refrain 'I have been faithful to thee, Cynara! in my fashion,' and which was probably inspired by Dowson's lifelong friend ...
A viral meme claims a 19th century prostitute invented false eyelashes to protect her eyes while on the job. This is provably false. Fact check: A Canadian inventor patented false eyelashes
Porter, a Tony, Grammy and Emmy nominee, sat in the front row, beside Harris’ husband, Douglas Emhoff. The Pose star reached over Harris and Emhoff to kiss Biden’s hand.
Pret-A-Porter - Danny Aiello's character is revealed to be a cross-dresser towards the end of the film, wearing a Chanel suit which viewers had presumed was for his mistress. The Ballad of Little Jo (1993) – A lone woman in the Old West takes on a male role in order to survive.
Diddy and Porter had an on-and-off relationship which lasted from 1994 to 2007. They shared three kids together, son King, 25, and twins D’Lila Star and Jessie James, 16.
Kiss Me, Kate is a musical with music and lyrics by Cole Porter and a book by Bella and Samuel Spewack.The story involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi.
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