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The type of qizhuang that both men and women typically wore consisted of long robes, which can be referred to as the Manchu changpao and also categorized under the broad category of changpao (Chinese: 长袍; Chinese: 長袍; lit. 'long robe') or changshan (simplified Chinese: 长衫; traditional Chinese: 長衫; lit. 'long shirt'). [14]
Chaofu for women consisted of a chaopao, a chaogua (朝褂), and a skirt which is worn under the chaopao called chaoqun (朝裙). [25] The chaopao, is a formal court robe for women, which is characterized with L-shaped seamed between the collar and the underarm fastening. [46] The chaogua is a long-length court vest worn over the chaopao. [25]
Changshan is often worn by traditional xiangsheng performenrs. Changshan are traditionally worn for formal pictures, weddings, and other formal Chinese events. A black changshan, along with a rounded black hat, was, and sometimes still is, the burial attire for Chinese men.
Two women wearing cheongsam in a 1930s Shanghai advertisement. The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao), and is also known in English as a mandarin gown.
A skirt or robe is one of the common attire for women. This type of dress is mostly long, with a wide hem, creating a dignified and generous atmosphere. The cuffs and stitching of the dress often carry exquisite embroidery, which may be floral, bird and animal, or other auspicious patterns, reflecting women's pursuit of beauty and love for life.
[8] [9] Some writers even go so far to claim that the term áo dài ("long top/garment") may have been calqued from Chinese terms for Manchu garments, such as the Mandarin changshan/changpao (長衫/長袍, men's "long top/robe") and the Cantonese cheongsam (長衫, women's "long top"), and include these garments in the category of áo dài. [9]
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