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The Islamic arabesque is a form of artistic decoration consisting of "rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [13] often combined with other elements. It usually consists of a single design which can be 'tiled' or seamlessly repeated as many times as desired. [14]
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, [1] often combined with other elements.
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.
Sewing underwent further developments during the 20th century. As sewing machines became more affordable to the working class, demand for sewing patterns grew. Women had become accustomed to seeing the latest fashions in periodicals during the late 19th and early 20th centuries, increasing demand for sewing patterns yet more.
As decoration grew more elaborate, the quality of the basic glass decreased, and it "often has a brownish-yellow tinge and is rarely free from bubbles.". [ 52 ] Aleppo seems to have ceased to be a major centre after the Mongol invasion of 1260, and Timur appears to have ended the Syrian industry about 1400 by carrying off the skilled workers to ...
[1] [17] Early arabesque motifs in Umayyad Cordoba, such as those seen at the Great Mosque or Madinat al-Zahra, continued to make use of acanthus leaves and grapevine motifs from this Hellenistic tradition. Almoravid and Almohad architecture made more use of a general striated leaf motif, often curling and splitting into unequal parts along an ...
Arabeske in C major, Op. 18 is a composition by Robert Schumann, written in 1839 when he was 29 years old.He dedicated it to Frau Majorin Friederike Serre auf Maxen, to whom he also dedicated his Blumenstück in D-flat, Op. 19.
Income generating projects in the refugee camps and in the Occupied Territories began to use embroidery motifs on non-clothing items such as accessories, bags and purses. With the evolution of the different groups distinct styles are beginning to be appear. Sulafa the UNRWA project [29] in the Gaza Strip has exhibited work at Santa Fe, New Mexico.
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