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"(Always Be My) Sunshine" is a hip hop song by American rapper Jay-Z with guest vocals from fellow femcee Foxy Brown and R&B singer-songwriter Babyface who performs the song's chorus. It serves as the first single from his second album In My Lifetime, Vol. 1 (1997). The track features production by Daven "Prestige" Vanderpool.
"On My Radio" is a song by the English 2 tone ska revival band the Selecter, released as a single on 5 October 1979 by 2 Tone Records. It peaked at number 8 on the UK Singles Chart , remaining on the chart for nine weeks, and became their most successful single.
"D.O.A. (Death of Auto-Tune)" is a song written by American rapper Jay-Z and produced by No I.D. The song was released as a digital download on June 23, 2009, and as the first single from Jay-Z's 11th studio album, The Blueprint 3. The song made its world premiere on the New York radio station Hot 97 on June 5. [1]
The music video for the single was released in early February 2003. The sequel to "Excuse Me Miss" was "La-La-La (Excuse Me Miss Again)" with a noticeably darker beat and lyrics, and was also produced by the Neptunes. The song was later re-released with "Stop" as a single for 2003's The Blueprint 2.1.
On Thursday, December 21, Tidal unveiled a playlist titled “Couple Songs of ’23: JAY-Z,” sharing what the 54-year-old rapper thought were some of the year’s best songs. Beyonce’s “My ...
"Do It Again (Put Ya Hands Up)" is the lead single from rapper Jay-Z's fourth album Vol. 3... Life and Times of S. Carter. The song features production by Rockwilder, including guest vocals by Amil and Beanie Sigel.
The highly surreal music video, directed by Sam Brown and filmed in black-and-white and at a 4:3 aspect ratio in November 2009, [5] premiered on January 1, 2010 on New Year's Eve with Carson Daly. Although uploaded to YouTube the previous day, New Year's Eve 2009, [6] it has been called the first music video of the decade. [7] [8]
"I'll Be" is a hip hop and R&B song with explicit lyrics that revolve around sex and money. "I'll Be" received positive reviews from music critics and was a commercial success. In the United States, it peaked at number seven on the Billboard Hot 100 , becoming both Brown and Jay-Z's highest charting single at the time.