Search results
Results from the WOW.Com Content Network
In Bergsonism, Deleuze writes that "virtual" is not opposed to "real" but opposed to "actual", whereas "real" is opposed to "possible". [3] Deleuze identifies the virtual, considered as a continuous multiplicity , with Bergson's " duration ": "it is the virtual insofar as it is actualized, in the course of being actualized, it is inseparable ...
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Dialogues (French: Dialogues) is a 1977 book in which Gilles Deleuze examines his philosophical pluralism in a series of discussions with Claire Parnet. It is widely read as an accessible and personable introduction to Deleuze's philosophy along with Negotiations. The book contains an exposition of Deleuze's concepts and methodologies in which ...
[1] [2] Lévy's 1995 book, Qu'est-ce que le virtuel? (translated as Becoming Virtual: Reality in the Digital Age) develops philosopher Gilles Deleuze's conception of "the virtual" as a dimension of reality that subsists with the actual but is irreducible to it. In 2001, he wrote the book Cyberculture.
An exploration of meaning and meaninglessness or "commonsense" and "nonsense" through metaphysics, epistemology, grammar, and eventually psychoanalysis, The Logic of Sense consists of a series of thirty-four paradoxes followed by an appendix that contains five previously published essays, including a brief overview of Deleuze's ontology entitled "Plato and the Simulacrum".
L'image-mouvement) (1983) is the first of two books on cinema by the philosopher Gilles Deleuze, the second being Cinema 2: The Time Image (French: Cinéma 2. L'image-temps ) (1985). Together Cinema 1 and Cinema 2 have become known as the Cinema books, the two volumes both complementary and interdependent. [ 1 ]
Desiring production is a primary and transcendental (in the immanent or Kantian sense) and virtual process of the perpetual emergence of corporeal, and incorporeal relations, which develop and emerge from real genetic, organic, and anorganic histories, social machines, and contingent worlds or "modes" of desiring production. Desiring machines ...
Some commentators interpret the book as Deleuze's attempt to rewrite Immanuel Kant's Critique of Pure Reason (1781) from the viewpoint of genesis itself. [1] It has recently been asserted that Deleuze in fact re-centered his philosophical orientation around Gabriel Tarde's thesis that repetition serves difference rather than vice versa. [2]