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He pointed out that Hulme was indebted to the Symbolist tradition, via W. B. Yeats, Arthur Symons and the Rhymers' Club generation of British poets and Mallarmé. [16] Taupin concluded in his 1929 study that however great the divergence of technique and language "between the image of the Imagist and the 'symbol' of the Symbolists[,] there is a ...
Verlaine's birthplace in Metz, today a museum dedicated to the poet's life and artwork. Paul-Marie Verlaine (/ v ɛər ˈ l ɛ n / vair-LEN; [1] French: [pɔl maʁi vɛʁlɛn]; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement.
The Symbolist Manifesto names Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine as the three leading poets of the movement. Moréas announced that symbolism was hostile to "plain meanings, declamations, false sentimentality and matter-of-fact description", and that its goal instead was to "clothe the Ideal in a perceptible form" whose ...
Pages in category "Symbolist poets" The following 126 pages are in this category, out of 126 total. This list may not reflect recent changes. A. Felix Aderca;
From 1921 George spent his summers in the hills on the south-western edge of Frankfurt at this house in Königstein, where he was attended by his sister, Anna.. Stefan Anton George (German: [ˈʃtɛfan ˈʔantoːn ɡeˈ(ʔ)ɔʁɡə]; 12 July 1868 – 4 December 1933) was a German symbolist poet and a translator of Dante Alighieri, William Shakespeare, Hesiod, and Charles Baudelaire.
There, in the words of Fernand Séverin, "all is allusive, suggestive, fugitive impression, [making of the collection] one of the foremost examples of Symbolist poetry". [19] Aesthetically, the poet was indebted to Henri Bergson 's philosophical theory of duration , whose description of the existential state of impermanence inspired van ...
Jules Laforgue (French: [ʒyl lafɔʁɡ]; 16 August 1860 – 20 August 1887) was a Franco-Uruguayan poet, often referred to as a Symbolist poet. Critics and commentators have also pointed to Impressionism as a direct influence and his poetry has been called "part-symbolist, part-impressionist". [1]
This defeat prompted Fort to give up control of the enterprise altogether and turn his focus to poetry. [13] Lugné-Poe took over the Pelléas and Mélisande project for its premiere in May 1893, which became the first step in launching his own Théâtre de l'Œuvre. In a relatively short time, the Théâtre d'Art had made its mark in the ...