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This sonata, scored for two transverse flutes and continuo, is one of the few trio sonatas that can genuinely be attributed to Bach.Although traditionally thought to have been composed during Bach's period in Weimar or Cöthen, Bach scholars have revised that dating based on an analysis of the extant manuscripts and on stylistic considerations.
Octandre for flute (doubling piccolo), oboe, clarinet, horn, bassoon, trumpet, trombone, and double bass; Heitor Villa-Lobos: Bachianas Brasileiras No. 6 for flute and bassoon; Chôros No. 2 for flute and clarinet; Chôros No. 7 for flute, oboe, clarinet, alto saxophone, bassoon, violin and cello with tam-tam ad lib
Free Bach Violin Sheet Music With bowing and fingering instructions. Music for Glass Orchestra by Grace Andreacchi, a novel that contains an extensive analysis of the Sonatas and partitas for Solo Violin. Bach's Chaconne in D minor for solo violin: An application through analysis by Larry Solomon
From 1914, the composer, encouraged by the music publisher Jacques Durand, intended to write a set of six sonatas for various instruments, in homage to the French composers of the 18th century. The effects of the First World War and an interest in baroque composers Couperin and Rameau inspired Debussy as he was writing the sonatas.
The Partita in A minor for solo flute, BWV 1013, is a partita in four movements composed by Johann Sebastian Bach. Its date of composition is uncertain, though on the basis of its advanced playing technique, which is more demanding than in the flute part for the Fifth Brandenburg Concerto , for example, it must have been written after 1723. [ 1 ]
The Sonate pour flûte et piano (Flute Sonata), FP 164, by Francis Poulenc, is a three-movement work for flute and piano, written in 1957. The sonata was commissioned by the American Library of Congress and is dedicated to the memory of Elizabeth Sprague Coolidge, an American patron of chamber music. Poulenc preferred composing for woodwinds ...
In 1803, Franz Xaver Kleinheinz arranged the serenade for flute (or violin) and piano. Beethoven checked and approved this arrangement and it was printed as his Op. 41. [ 1 ] Similar to his Septet of the same period, the work had great popular appeal and was profitable for the young composer.
The part mostly doubles the principal notes in the left hand part of the keyboard in the manner of Haydn's early piano trios (e.g. Trio No. 5 in G minor, Hob. XV:1), or a set of similarly scored sonatas (Op. 2, WB 43–48) by Queen Charlotte's music teacher Johann Christian Bach. [1]
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