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You Can't Go Home Again is a novel by Thomas Wolfe published posthumously in 1940, extracted by his editor, Edward Aswell, from the contents of his vast unpublished manuscript The October Fair. It is a sequel to The Web and the Rock , which, along with the collection The Hills Beyond , was extracted from the same manuscript.
Thomas Clayton Wolfe (October 3, 1900 – September 15, 1938) was an American novelist. [1] [2] He is known largely for his first novel, Look Homeward, Angel (1929), and for the short fiction that appeared during the last years of his life. [1]
Thomas Wolfe — The Web and the Rock, You Can't Go Home Again, The Hounds of Darkness, The Hills Beyond (all assembled by Maxwell Perkins and Edward Aswell) Mary Wollstonecraft — Maria: or, The Wrongs of Woman (later chapters assembled by William Godwin) Virginia Woolf — Between the Acts; John Wyndham — Web, Exiles on Asperus, No Place ...
Here are the books we're most excited about, including "Onyx Storm" by Rebecca Yarros and nonfiction from John Green. 15 books we can't wait to read: Most anticipated releases of 2025 Skip to main ...
Monica is seen reading Wolfe's book, and she quotes a passage from the novel as eulogy for a story character who has died accidentally. In Season 1, Episode 1 of limited series Fellow Travelers (miniseries) (2023), the book is given as a gift from a devoutly religious man to his male lover, during the 1950s Lavender Scare.
"You Can't Go Home Again" Sarah Jarosz: 4:41: 2. "Love at the Five and Dime" John Prine and Kelsey Waldon: 4:49: 3. "Listen to the Radio" Billy Strings and Molly Tuttle: 4:00: 4. "Love Wore a Halo (Back Before the War)" Emmylou Harris: 3:40: 5. "Trouble in the Fields" Lyle Lovett and Kathy Mattea: 3:29: 6. "Gulf Coast Highway" Brandy Clark: 3: ...
The difference between the level of support and benefits the LGBTQ community gets in New York vs. what my home state chooses to offer is too profound to ignore. Why I Can't Go Home Again Skip to ...
We Can't Go Home Again is an experimental feature film directed by Nicholas Ray in collaboration with his film students at Binghamton University. Ray and the students play fictionalized versions of themselves. The film was the major project of the last decade of Ray's life, and he and his collaborators continuously re-edited it.
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