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Morales rose to fame as a TV comedian, starring in the series Moralejas ("Morals") alongside his brother Sammy. [6] He formally changed his first name from James to Jimmy by deed poll in 2011. [7] Morales has been married for three decades to Patricia Marroquín, and has three children. [8] [9]
Iros todos a tomar por culo (English: Fuck You All) is a live album by Spanish hard rock band Extremoduro. It was produced by Iñaki "Uoho" Antón and published by Dro Records in 1997. [ 1 ] It was recorded during the tour which promoted their album Agila , performed along with the band Platero y Tú .
No me defiendas compadre ("Don't defend me, friend") is a 1949 Mexican film. It was produced by Fernando de Fuentes. External links. No me defiendas compadre at IMDb
The classic Spanish novel Don Quixote (1605–1615) contains several references to compadres; however, the compadre relationship has much less formal meaning in modern Spain, where it is a reference both to a godfather/padrino or just to a best friend, with no reference to any ritual. The expression is in use particularly in southern Spain.
Irse algo a la chingada: to break or damage something, something "going away to la chingada". Llevárselo a alguien la chingada : to be angry, or in a tight spot. Hijo de tu chingada madre : "you son of your fucking mother" or "hijo de tu puta madre" (literally: son of your whore mother) meaning "you son of a whore" and also " hijo-esu (hijo de ...
Los Compadres was a famous Cuban trova duo formed by Lorenzo Hierrezuelo in 1947. At the time Lorenzo had a singing duo with María Teresa Vera, and this partnership continued alongside the new venture.
De que me sirvio el dolor, tu dime, si ya no me pertenecías De que me sirvio el dolor, tu dime, si ya no me pertenecías La pena y lo que no es pena, Llorona, Todo es pena para mí, La pena y lo que no es pena, Llorona, Todo es pena para mí, Ayer penaba/lloraba por verte, Llorona Y hoy peno/lloro porque te vi. Ayer penaba/lloraba por verte ...
Godfather Mendoza (Spanish: El compadre Mendoza) is a 1934 Mexican film.It was directed by Fernando de Fuentes, and is the second of his Revolution Trilogy, preceded by El prisionero trece (1933) and followed by Vámonos con Pancho Villa (1936).