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The koto (箏 or 琴) is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. [1]
Shamisen are classified according to size and genre. There are three basic sizes: hosozao, chuzao and futozao. Examples of shamisen genres include nagauta, jiuta, min'yo, kouta, hauta, shinnai, tokiwazu, kiyomoto, gidayu and tsugaru. Shamisen used for traditional genres of Japanese music, such as jiuta, kouta, and nagauta, adhere to very strict ...
ISBN 1-880464-03-9; Shen, Sinyan. Chinese Music in the 20th Century (Chinese Music Monograph Series). 2001. Chinese Music Society of North America Press. ISBN 1-880464-04-7; Yuan, Bingchang, and Jizeng Mao (1986). Zhongguo Shao Shu Min Zu Yue Qi Zhi. Beijing: Xin Shi Jie Chu Ban She/Xin Hua Shu Dian Beijing Fa Xing Suo Fa Xing. ISBN 7-80005-017-3.
Shamisen – a banjo-like lute with three strings; brought to Japan from China in the 16th century. Popular in Edo's pleasure districts, the shamisen is often used in kabuki theater. Made from red sandalwood and ranging from 1.1 to 1.4 metres (3 ft 7 in to 4 ft 7 in) long, the shamisen has ivory pegs, strings made from twisted silk, and a belly ...
In min'yō, three-stringed lute known as the shamisen, taiko drums, and a bamboo flute called shakuhachi typically accompany the singers. [10] Other instruments that could accompany include a transverse flute known as the shinobue, a bell known as kane, a hand drum called the tsuzumi, and/or a 13-stringed zither known as the koto.
However, the koto had taken a larger role in compositions in place of the shamisen, and pieces in the jiuta style accompanied by shamisen were far fewer in number. One notable composer was Michio Miyagi. Up to today, composers habe tried to introduce various forms (such as Western sonatas) to the jiuta style.
As one of the few koto performers to perform koto concertos with U.S. orchestras, Obata has been a featured soloist on multiple occasions with orchestras including with Orchestra Nova for San Diego's KPBS in 2010. [1] She has performed koto for television, radio, film, and live theatre. Obata has been a featured performer at harp and folk ...
Yatsuhashi, who was born and died in Japan, was originally a player of the shamisen, but later learned the koto from a musician of the Japanese court. While the instrument was originally restricted to the court, Yatsuhashi is credited as the first musician to introduce and teach the koto to general audiences.
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