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In 1979, SPI published the combat wargame Great Medieval Battles, a "quadrigame" (four separate battles using the same set of rules) that simulated King Arthur's final Battle of Camlann, Robert the Bruce at Bannockburn (1314), The Black Prince at the Battle of Navarette (1367), and Tamburlaine against the Ottoman Turks at the Battle of Angorra (1402).
King Arthur: The Role-Playing Wargame is a real-time tactics and role-playing video game developed by NeocoreGames and published by Paradox Interactive in North America, Ubisoft in Europe, and E-Frontier in Japan. It seeks to blend elements of the real-time tactics, role-playing, and grand strategy genres into one.
Retrieved from "https://en.wikipedia.org/w/index.php?title=King_Arthur_(wargame)&oldid=1166319958"
King Arthur II: The Role-Playing Wargame is a real-time tactics and role-playing video game and a sequel to King Arthur: The Role-Playing Wargame, released online in Europe on September 20, 2011, and then worldwide in 2012.
Liam Garrigan (born 1981) is an English actor. As a youth, he attended classes at Kingston upon Hull's Northern Theatre Company and was a student at Wyke College , Kingston upon Hull. His first television role was in 2003 as Nic Yorke in the BBC continuing drama series Holby City .
King Arthur and the Knights of the Round Table (円卓の騎士物語 燃えろアーサー, Entaku no Kishi Monogatari Moero Āsā, lit. Story of the Knights of the Round Table: Blazing Arthur ) is a Japanese anime series based on Arthurian legend . [ 1 ]
Screenshot from the video game King Arthur II was created using the in-house game engine Coretech 2 NeocoreGames was founded in 2005 and began working as a small game development studio. [ 3 ] The studio is known for their work in the role-playing game genre exemplified by their King Arthur: The Role-Playing Wargame series.
Morgana Le Fay, Anikó Salamon's art for the video game King Arthur II: The Role-Playing Wargame (2012). The Matter of Britain character Morgan le Fay (often known as Morgana, and sometimes also as Morgaine and other names) has been featured many times in various works of modern culture, often but not always appearing in villainous roles.
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