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The Old Man and the Sea is a 1952 novella by the American author Ernest Hemingway. Written between December 1950 and February 1951, it was the last major fictional work Hemingway published during his lifetime. It tells the story of Santiago, an aging fisherman, and his long struggle to catch a giant marlin. The novella was highly anticipated ...
The Old Man in the film is a Cuban fisherman who has gone 84 days without a catch. His only friend is a 14-year-old boy named Manolin, who has been barred by his father from accompanying the Old Man out to sea. On the Old Man's 85th day out, he finally hooks a huge marlin, which he then tries to haul in from far out past shore. For three days ...
The Old Man and the Sea is a 1990 American-British adventure drama television film directed by Jud Taylor and written by Roger O. Hirson, based on the 1952 novella of the same name by Ernest Hemingway. The film stars Anthony Quinn, Gary Cole, Patricia Clarkson, and Joe Santos.
The Old Man and the Sea is a short novel by Ernest Hemingway. It may also refer to: The Old Man and the Sea, directed by John Sturges, starring Spencer Tracy; The Old Man and the Sea, television film starring Anthony Quinn; The Old Man and the Sea, paint-on-glass-animated short film directed by Aleksandr Petrov
The Old Man and the Sea (Старик и море) is a 1999 paint-on-glass-animated short film directed by Russian animator Aleksandr Petrov, based on the 1952 novel of the same name by Ernest Hemingway.
In Greek mythology, the Old Man of the Sea (Ancient Greek: ἅλιος γέρων, romanized: hálios gérōn; Greek: Γέροντας της Θάλασσας, romanized: Yérondas tis Thálassas) was a figure who could be identified as any of several water-gods, generally Nereus or Proteus, but also Triton, Pontus, Phorcys or Glaucus.
In 1952, his novel The Old Man and the Sea was published to considerable acclaim, and won the Pulitzer Prize for Fiction. On a 1954 trip to Africa, Hemingway was seriously injured in two successive plane crashes, leaving him in pain and ill health for much of the rest of his life. He died by suicide at his house in Ketchum, Idaho, in 1961.
Still from The Old Man and the Sea. Petrov's style from the late 1980s onward can be characterized as a type of Romantic realism. [12] People, animals and landscapes are painted and animated in a very realistic fashion, but there are many sections in his films where Petrov attempts to depict a character's inner thoughts and dreams.