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The new venture was a strategic move by Roland to enter the lucrative high-end home keyboard market which had hitherto been dominated by Yamaha and Technics. Featuring auto accompaniment, and built in speakers the E-20 used the advanced Linear Arithmetic or "LA" synthesis system as used on the Roland MT-32 sound module. The E-20 set a new ...
Roland VK-7. The Roland VK-7 is an electronic keyboard introduced in 1997 which simulates the sound of an electromechanical Hammond organ.Like other electronic musical instruments that emulate (or "clone") the sound of the electromechanical tonewheel-based organs formerly manufactured by Hammond, the VK-7 is referred to as a clonewheel organ.
The Roland W-30 is a sampling workstation keyboard, released in 1989. It features an on-board 12-bit sampler, sample-based synthesizer, 16-track sequencer and 61-note keyboard. It features an on-board 12-bit sampler, sample-based synthesizer, 16-track sequencer and 61-note keyboard.
Custom minimoog keyboard used by Gary Wright and Steve Porcaro around 1976. Cruder, [citation needed] Jan Hammer's early custom keyboard with block shaped controller. [24] Plexi minimoog keyboard used by George Duke; Based on Yamaha KX series. Jean Michel Jarre's custom KX5, two versions: Houston and Docklands Concerts.
The Roland MKS-20 is a digital piano–type sound module released by Roland Corporation in 1986, simultaneously with the Roland RD-1000 digital stage piano.The MKS-20 and RD-1000 share the same "Structured/Adaptive Synthesis" sound engine; the RD-1000 integrates that engine into a musical keyboard-type MIDI controller with size, weight, and features similar to the Roland MKB-1000.
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The Roland S-50 is a 61-key 12-bit sampler keyboard produced by the Roland Corporation in 1986. It featured a 3.5-inch DSDD floppy disk drive and had external CRT monitor support to facilitate editing of samples. It could hold up to 32 samples. A rack-mounted version was also available, which featured expanded memory. [2]
The keyboard has 49 full-sized keys with velocity and aftertouch, with 256 notes of polyphony. Vocoder, Mic Input, and 500 preset tones are present - which can be switched seamlessly without unnatural sound cut off. However, the synthesizer does not have the D-Beam controller, which was added to Roland's preceding keytars. [3] [4]