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"Ain't No Half-Steppin'" is a 1988 hip-hop song written and performed by American rapper Big Daddy Kane. Released as a single from Kane's debut album Long Live the Kane, it peaked at No. 53 on the Billboard Hot Black Singles chart. The song samples "Ain't No Half Steppin'" by Heatwave, "UFO" by ESG, and "Blind Alley" by The Emotions. [1]
"Raw" and "Ain't No Half Steppin'" are both described as "underground sensation[s]" and "classic[s]" by Allmusic's Steve Huey. [3] "Raw" does not appear on Long Live the Kane, but a remix which utilizes the same beat does. Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations.
In the book Rap-Up: The Ultimate Guide to Hip-Hop and R&B, Cameron and Devin Lazerine say Big Daddy Kane is "widely seen as one of the best lyricists of his time and even today regularly gets name-checked by younger dudes", [32] and music journalist Peter Shapiro says Kane is "perhaps the most complete MC ever". [24]
"Smooth Operator" is the lead single released from Big Daddy Kane's second album, It's a Big Daddy Thing. Arguably one of Big Daddy Kane's most popular songs, the song topped the newly formed Billboard Hot Rap Singles chart and was a hit on the R&B and dance charts, peaking at number 11 and 17 on the charts respectively.
Download QR code; Print/export Download as PDF; ... "Ain't No Half Steppin'" 1988 ... "The Power of Music" [29] Kristine W:
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Jimmy Henchman discovered Sharissa in November 2002. [2] Her 2002 debut album, No Half Steppin ', was released through Henchmen and Motown on February 26 of that year. [1] [13] Ayana Byrd of Vibe called its sound a "brand of gritty, hip hop-influenced R&B, and its lyrics revolve around tales of love, heartbreak, and independence"; according to Bryce Wilson, the album was inspired by 1970s ...
The pair reviewed several older tunes and melodies, and chose "Blind Alley", performed by The Emotions in 1972. This song had previously been sampled in Big Daddy Kane's "Ain't No Half-Steppin'", which led Mariah to use the sample for Dreamlover. [10] In an interview with Fred Bronson, Carey described working with Hall:
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