Search results
Results from the WOW.Com Content Network
The Assumption of the Virgin or Frari Assumption, popularly known as the Assunta, [1] is a large altarpiece panel painting in oils by the Italian Renaissance artist Titian, painted in 1515–1518. It remains in the position it was designed for, on the high altar of the Basilica di Santa Maria Gloriosa dei Frari or Frari church in Venice .
The main altar holds a polyptych by Titian, portraying a version of the Assumption of the Virgin. [8] This painting probably dates from 1552; [3] the side altars hold paintings of Italian and Dalmatian masters of later centuries. [3] Triptych of "Assumption of Mary" above the altar by Titian (circa 1550)
Assumption of the Virgin, 1516–1518; it took Titian more than two years to complete this painting in the Frari church in Venice. In 1516, he completed his famous masterpiece, the Assumption of the Virgin, for the high altar of the Basilica di Santa Maria Gloriosa dei Frari, [5] where it is still in situ.
The Presentation of the Virgin at the Temple is a 1534–1538 painting by Titian. It depicts the three year-old Virgin Mary entering the Temple of Jerusalem . [ 1 ] It was commissioned by the fraternity based in the Scuola Grande di Santa Maria della Carita, a building later incorporated into the Gallerie dell'Accademia , in Venice , where the ...
Assumption of the Virgin: c. 1516–1518: 690 × 360 cm: Basilica di Santa Maria Gloriosa dei Frari The Virgin and Child with Saint George and Saint Dorothy: c. 1516: 86 × 130 cm: Prado Museum (Madrid) Virgin and Child with Saint John the Baptist and an Unidentified Saint: c. 1515–1520: 62.7 x 93 cm
The Assassination of Saint Peter Martyr (Titian) Assumption of the Virgin (Titian) ... The Presentation of the Virgin at the Temple (Titian) R. The Resurrected Christ; S.
Titian's Assumption. A supposed model for the central figure is the Virgin of the Assumption by Giuseppe Valeriano and Scipione Pulzone in the Church of the Gesù. [10] An even more important antecedent for the panel is the Transfiguration of Raphael, a masterpiece that Carracci much loved and studied.
The composition of El Greco's depiction of the Assumption of the Virgin resembles Titian's Assumption in the Basilica dei Frari in Venice with Virgin Mary and angels above and the apostles below. [3] On the painting Virgin Mary floats upward which symbolizes her purity, while apostles gathered around her empty tomb express amazement and concern ...