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The first English tragedy, Gorboduc (1561), by Thomas Sackville and Thomas Norton, is a chain of slaughter and revenge written in direct imitation of Seneca. (As it happens, Gorboduc does follow the form as well as the subject matter of Senecan tragedy: but only a very few other English plays—e.g.
Thyestes is a first century AD fabula crepidata (Roman tragedy with Greek subject) of approximately 1112 lines of verse by Lucius Annaeus Seneca, which tells the story of Thyestes, who unwittingly ate his own children who were slaughtered and served at a banquet by his brother Atreus. [1]
The revenge tragedy, or revenge play, is a dramatic genre in which the protagonist seeks revenge for an imagined or actual injury. [1] The term revenge tragedy was first introduced in 1900 by A. H. Thorndike to label a class of plays written in the late Elizabethan and early Jacobean eras (circa 1580s to 1620s).
De Vita Beata ("On the Happy Life") is a dialogue written by Seneca the Younger around the year 58 AD. It was intended for his older brother Gallio, to whom Seneca also dedicated his dialogue entitled De Ira ("On Anger"). It is divided into 28 chapters that present the moral thoughts of Seneca at their most mature.
During his life, Seneca (4–5 B.C.E.–65 C.E.) was famous for his writings on Stoic philosophy and rhetoric and became "one of the most influential men in Rome" when his student, Nero, was named emperor in 54 C.E. [5] Phaedra is thought to be one of Seneca's earlier works, most likely written before 54 C.E. [3] Historians generally agree that ...
Medea is a fabula crepidata (Roman tragedy with Greek subject) of about 1027 lines of verse written by Seneca the Younger. It is generally considered to be the strongest of his earlier plays. [1] It was written around 50 CE. The play is about the vengeance of Medea against her betraying husband Jason and King Creon.
Seneca regards philosophy as a balm for the wounds of life. [52] The destructive passions, especially anger and grief, must be uprooted, [53] or moderated according to reason. [54] He discusses the relative merits of the contemplative life and the active life, [52] and he considers it important to confront one's own mortality and be able to ...
Nine of Seneca's tragedies survive, all of which are fabulae crepidatae; a fabula crepidata or fabula cothurnata is a Latin tragedy with Greek subjects. Seneca appears as a character in the tragedy Octavia, the only extant example of fabula praetexta (tragedies based on Roman subjects, first created by Naevius), and as a result, the play was ...