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Another technique similar to contour drawing is outline drawing; a division between form and the space a subject occupies. [4] All three types of drawing are considered to be gesture drawings; [4] the practice of drawing a series of bodies in still form. An outline drawing does not include the visual amusement of human sight, while a contour ...
The drawing is the only extant larger-scale drawing by the artist. [3] The drawing depicts the Virgin Mary seated on the thigh of her mother, Saint Anne, while holding the Christ Child as Christ's young cousin, John the Baptist, stands to the right. It currently hangs in the National Gallery in London.
A normal shader (left) and an NPR shader using cel-shading (right). Non-photorealistic rendering (NPR) is an area of computer graphics that focuses on enabling a wide variety of expressive styles for digital art, in contrast to traditional computer graphics, which focuses on photorealism.
The cubital fossa, antecubital fossa, chelidon, or inside of elbow is the area on the anterior side of the upper part between the arm and forearm of a human or other hominid animals. It lies anteriorly to the elbow (antecubital) (Latin cubitus) when in standard anatomical position. The cubital fossa is a triangular area having three borders. [1]
Contour drawing – Chiaroscuro – using strong contrasts between light and dark to achieve a sense of volume in modeling three-dimensional objects such as the human body. Gesture Drawing - loose drawing or sketching with the wrists moving, to create a sense of naturalism of the line or shape, as opposed to geometric or mechanical drawing ...
Bellori, writing some decades after Caravaggio's early death and no supporter of his style, refers to "Those who glory in the name of naturalists" (naturalisti). [8] During the 19th century, naturalism developed as a broadly defined movement in European art, though it lacked the political underpinnings that motivated realist artists.
Fearlessness (Abhāya mudrā) th:ปางประทานอภัย pang bprà-taan à-pai: either one or both arms are shown bent at the elbow and the wrist, with the palm facing outwards and the fingers pointing upwards. It shows the Buddha either displaying fearlessness in the face of adversity, or enjoining others to do so.