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At the end, the music will usually return to the tonic key in preparation of the recapitulation. (On occasion, it will actually return to the sub-dominant key and then proceed with the same transition as in the exposition.) The transition from the development to the recapitulation is a crucial moment in the work.
Recapitulation. Haydn's Sonata in G Major, Hob. XVI: G1, I, mm. 58-80 Play ⓘ. [1] In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
Exposition Haydn's Sonata in G major, Hob. XVI: G1, I, mm. 1-28 Play ⓘ. [1] In musical form and analysis, exposition is the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied.
Rhythm changes bridge (B section of an AABA form) in the key of C. Play ⓘ. In music, a section is a complete, but not independent, musical idea. [1] Types of sections include the introduction or intro, exposition, development, recapitulation, verse, chorus or refrain, conclusion, coda or outro, fadeout, bridge or interlude.
Sonata form is a classical form composed of three main sections, namely exposition, development, and recapitulation. A sonata may begin with an introduction, which is commonly slower than the remainder of the movement. After that, there is an exposition, whose purpose is to present the movement's main thematic material.
Sonata form – musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period).
A notable source of confusion is the term 'sonata': as a genre, it denotes a multi-movement composition for one or more solo instruments, while in structural terms, 'sonata form' refers to a specific three-part structure (exposition, development, recapitulation) frequently used within individual movements of larger works.
An allegro, which by this point was in what is called sonata form, complete with exposition, development, and recapitulation. A slow movement, an Andante, an Adagio or a Largo. A dance movement, frequently Minuet and trio or—especially later in the classical period—a Scherzo and trio. A finale in faster tempo, often in a sonata–rondo form.