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A camera operator in a video production may be known by titles like television camera operator, video camera operator, or videographer, depending on the context and technology involved, usually operating a professional video camera. As of 2016, there were approximately 59,300 television, video, and motion picture camera operators employed in ...
The Society of Camera Operators for Camera Operator of the Year – Film is an annual award given by the society to camera operators for their outstanding achievements in field of filmmaking in a given year. The award was first given out in 2008 and, aside from 2011, has presented every year since, for film achievements from the previous year.
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A Camera control unit operator (typically credited as CCU operator) controls the camera control unit, which is a series of camera remote controls for exposure, white balance, and contrast, to regulate the picture quality between multiple cameras.
In a two-operator situation, one person operates the jib arm/boom while another operates the pan/tilt/zoom functions of the remote head. An example of this is the Newton stabilized remote head, [ 3 ] that stabilizes the camera under fast jib operation and also enables camera roll.
The camera operators are freed from the control of iris, black level and colour balance, leaving them free to concentrate on other aspects of camerawork such as blocking and image composition. [4] All signals that operate between the camera and CCU are carried in one multicore cable, triax or fiber optic cable.
A camera crew sets up for scenes to be filmed on the flight deck for the motion picture Stealth with the crew of the Nimitz-class aircraft carrier USS Abraham Lincoln.. The cinematographer or director of photography (sometimes shortened to DP or DOP) is the person responsible for the recording of a film, television production, music video or other live-action piece.
"Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 metres (26 ft) to 3 metres (9.8 ft) away from the focal plane, the focus puller changes the lens's ...