Search results
Results from the WOW.Com Content Network
"The World Is Too Much With Us" is a sonnet by the English Romantic poet William Wordsworth. In it, Wordsworth criticises the world of the First Industrial Revolution for being absorbed in materialism and distancing itself from nature. Composed circa 1802, the poem was first published in Poems, in Two Volumes (1807).
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
Elaine Kahn lives in L.A. and teaches at Poetry Field School. Her poem 'A WORLD THAT IS NOT REALLY A WORLD' is part of Image issue 8, "Deserted."
The treatment of the relationship between nature, history, politics and family recurs in Jeffers' poems from the 1920s, notably in the narrative poems Tamar and The Women at Point Sur, and in the lyrical poem "Natural Music", which like "Shine, Perishing Republic" maintains that nature has the ability to redeem history. [8]
The central idea of "Hymn to Intellectual Beauty" is that there is a spiritual power that stands apart from both the physical world and the heart of man. This power is unknown to man and invisible, but its shadow visits "this various world with as inconstant wing / As summer winds that creep from flower to flower" and it visits also "with ...
The section, "Not Somewhere Else, But Here," continues to discuss female relationships, now in relation to nature. The poem, "Natural Resources," presents common elements in the lives of women, compared to the elements in nature. The poem, "Transcendental Etude," celebrates the power of women to create on a large scale from ordinary materials ...
The same principle applies to all of the other living things mentioned in the poem. Thus, given that swallows, frogs, and robins must kill other creatures to feed themselves, the serenity in the poetic settings for them symbolizes the absence in their natures of war that is in human nature and not an idyllic world without violence.
The poem represents early stages of American Romanticism through celebration of Nature and God's presence within Nature. Bryant is acknowledged as skillful at depicting American scenery but his natural details are often combined with a universal moral, as in "To a Waterfowl".