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[2] [7] The live album Rank followed in 1988. [8] The majority of the Smiths' songs were written by the songwriting partnership of Morrissey and Johnny Marr. [1] Throughout their career, their songs differed from the predominant synth-pop British sound of the early 1980s, [2] instead fusing together 1960s rock and post-punk. [9]
The Very Best of The Smiths is a compilation album by English rock band The Smiths. It was released in June 2001 by WEA in Europe, without consent or input from the band. It reached number 30 on the UK Albums Chart. The album was not released in the United States.
WEA (now the Warner Music Group) had acquired the entire Smiths back catalogue in early 1992.Along with the re-release of the eight original albums (the four studio albums, the Rank live album and the three compilation albums issued while the band were still active), they immediately set to work compiling a 'best of' collection in two volumes.
The album ranked number 3 among "Albums of the Year" for 1987 in the annual NME critics' poll, and "Girlfriend in a Coma" ranked number 11 among songs. [23] In 2000 it was voted number 601 in Colin Larkin's All Time Top 1000 Albums. [24] Rolling Stone said the record "stands as one of their best and most varied". [25]
Several publications have ranked the song as one of the band's best songs. Billboard ranked the song as the band's second best, [14] while NME named it the band's fourth best. [15] Paste called it the band's tenth best, [16] while Louder included it in their unranked top ten, writing, "This could be their most iconic song."
Rolling Stone ranked the song as the 34th best Smiths song, [9] while NME named it the band's 20th best. [13] Guitar named the song as the band's 17th greatest guitar moment, concluding, "Despite the higher watermarks elsewhere on Strangeways, it's still 'Girlfriend in a Coma' ' s hooky little acoustic earworm that sticks in our grey matter the ...
Rolling Stone ranked the song as the 14th best Smiths song, [3] while NME named it the band's 16th best. [13] Consequence ranked the song as the band's 28th best, calling it "a testament to The Smiths' power in 1987". [14] Guitar named the song as the band's 20th greatest guitar moment. [15]
Rolling Stone ranked the song as the Smiths' 36th best song, while Consequence of Sound named it as the band's 53rd best track. [ 9 ] Comedian Stephen Merchant praised the song, stating that the song "has this electrifying opening; it sort of eases in slowly with this fade and then the guitars (sic) come crashing in.